Alberto recognized the immense value of this music and began speculating on how it could be made available to the public. However, only a small part of the collection had been explored and performed, leaving much of it unheard since the 18 th Century. Most specialists knew of this massive collection of music, 450 pieces including some 20 operas, sacred music, and much instrumental music: nearly all of it in Vivaldi’s hand. Among those works is Vivaldi’s personal library of manuscripts that was purchased for the library in 1930. Susan Orlando: The Italian musicologist Alberto Basso had this ambitious idea at the end of the last century while cataloging the music manuscripts housed in the National Library in Turin. OperaWire: How did the idea of recording the complete works of Vivaldi held by the Italian National Library in Turin come about? It was something very much in evidence during an interview OperaWire was fortunate enough to arrange with her during the holiday break. It is not simply her extensive musical knowledge of the Baroque and her ability to assemble the best singers, musicians, conductors, and musicologists, nor her ability to provide artistic shape and direction to the enterprise, which really impresses, but it is her enormous enthusiasm and love for the project. It is a project much-loved by Vivaldi and Baroque enthusiasts the world over, and continues to grow in popularity with each new recording welcomed with baited breath, not least for their arresting and iconic cover designs!Īt the heart of the Vivaldi Edition is Susan Orlando, the project’s artistic director, who has been involved almost since the very beginning, and it is no exaggeration to say that she has been integral to its success. The Vivaldi Edition from Naïve Records is now entering the 21 st year of its incredible plan to record all of Vivaldi’s music, which is held in the National Library in Turin.
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